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(ANONYMOUS) - Tell Me Pretty Baby/same Elvis Classics EC 5478 NM-/NM 5
(1978 issue. Package is faked-up to give the impression that it's an undiscovered Elvis Presley
recording from 1954. Not a very good vocal imitation, the arrangement isn'r historically
accurate... but it's pretty good 1970's rockabilly.)
BELL NOTES - I've Had It/Be Mine Time 11004 stVG 7
JOE BENNETT - Penny Loafers And Bobby Socks/ ABC-Paramount 9867 VG++ 20
(BOPPIN', fast two-sider that for once sounds like a real rock-and-roll youngster. B-side is a
'teenagers in outer space' tune.)
BOB AND THE ROCKABILLIES - Your Kind Of Love/
Blue Chip 011 @VG++ 24 ON HOLD
(Subsidiary of Sage And Sand label. Looks VG, plays nicely. Some ringwear.)
DONNIE BOWSER - I Love You Baby/Stone Heart Sage (USA) 265 stVG 20
(1958. Uptempo bopper with lots of regional flavor. Kinda light and sweet, but plenty appealing.
Flip is a rock-a-ballad with piano triplets.)
BILLY BROWN - Didn't We Have A Party/ Columbia 41029 stVG+ 15
(Solid and enjoyable two-sided sax-a-billy rocker. Not as wild as some, but it still rocks. Like
Gene Vincent, maybe.)
JOHNNY CASH - Wide Open Road/Belshazah Sun 392 NM 20
- ...Guess Things Happen...EP Sun EPA 114 wol DISC ONLY XX/VG 5
BILLY CHAMBERLAIN - Rocking Pneumonia, Boogie Woogie Flu/ VaLance 100 stVG 8
(Nice country rocker on TX label. Sophisticated arrangement sounds like Leon Russell's roots-
revival moves from '72, but no zipcode on label, so probably pre-1966. Flip's a slow, clumsy
weeper.)
BRUCE CHANNEL - Number One Man/ Smash 1752 @VG+ 6
(60's-style.)
PATSY CLARK - Walking And Dreaming/ Sage 264 NM-- 70
(Electrifying, sexy female rockabilly, one of my very faves. Flipside is pretty average teen-rock.
Record looks almost perfect, plays with a few quiet clicks.)
JIM CLIMER & MERRI-MACS - Little Twister/On Top Of Old Smokey
Kris (USA) 283 @VG+ 50 ON HOLD
(1962. SUPER CRUDE honking sax hillbilly twist with sleazy horndog vocals, kind of a Jerry Lee
Lewis effect. Flip's a triplets n sax dramatic reading. You can hear clips HERE:
http://rcs.law.emory.edu/rcs/artists/c/clim5000.htm XXOL.)
CRICKETS - It's So Easy/ Brunswick 55094 VG 5
(Bad label tear)
JIMMY DEE - Henrietta/Don't Cry No More Dot (USA) 15664 VG++ 20
(1957. Two-sided rocker. A-side is slow & bluesy, with distorted guitar and 2 1/2 chords, sounds
like hybrid of Gene Vincent and the Cramps. Flip's a fast stomper with somebody bangin' on a
piano. It isn't quite "Three Months To Kill", but not! bad! for major-label r-a-b.)
HAROLD DORMAN - Mountain Of Love/ Rita 1003 stVG++ 12
- Take A Chance On Me/ 1012 @NM-- 14
LARRY DOWD - Why Oh Why/ Spinning (USA) 6009 stVG++ 50
(1959. Amateurish, kinda primitive teen/rocker reminds me a little of the Bell Notes; B-side is
tougher and fuller sounding with echo, solid midtempo rock-a-ballad.)
JIMMY EDWARDS - Love Bug Crawl/ Mercury 71209 stVG+ 15
(1957. Hillbilly crossover that works. Singer, as usual, is a little too old to sound convincing,
but the band is real gone. Nice Jerry Lee-styled piano. Flip's upbeat country. Fun, but not a
rocker.)
LEN FALLEN/DEL SOLS - The Mad Fad/
Teia 1005 stVG+ 12 ON HOLD
(1964, WLP. Out-of-season rockabilly by some leftover rave-on cats. Beatle-bashing novelty.
Flip's a ballad with overblown Dean Martin wannabe lyrics. XXOL)
NARVEL FELTS - Kiss-A-Me Baby/Foolish Thoughts Mercury (USA) 71140 VG+ 15
(1957, two-sided goodie. A-side is kinda mambo-billy with an unusual Orbison-sound high tenor,
the flip is more of a flat-out rocker, abrasive guitar breaks & all. Both sides share mightily
in the rockin' redneck vibe we're all looking for.)
EDDIE FONTAINE - Nothin' Shakin/Don't Ya Know Argo (USA) 5309 stVG 12
(1958. Mighty tasty hard-edged rockin' billy wailer on the a-side. Flip's a litle weaker, but it
has a sharp guitar break.)
EARLSTON FORD - Ain't Nothin' Shakin'/
Mercury (US) 71108 @VG+ 20 ON HOLD
(1957, wailing black rocker. Sax break/not much guitar. Two-sided goodies.)
GINO AND GINA - Pretty Baby/Love's A Carousel Mercury (USA) 71283 @VG 3
(1958. Charming in a creepy way, limp teen-pop redeemed by 'billy moves. Southern accents, echo
& twang, plus some WRONG-O moves in the arrangements that don't work at all, and are really
cute for that reason.)
DICK GLASSER - Crazy Alligator/ Columbia (USA) 41472 stVG++ 45
(WLP, 1959. Solid two-sided redneck novelty-teen-bopper moves pretty good -- guitar break on
A-side, rude sounding sax on flip.)
BOBBY HAMILTON - Uh-Huh Baby/ Decca 30894 VG+ 10
(1959, pink label promo. WOL, SOL. Nice two-sider in a dark, brooding Gene Vincent bag. Some
teen elements on A-side.)
WAYNE HANDY - Say Yeah/ Renown (USA) 102 stVG 6
(1957-59, so saith *the book*. Infectious rockabilly-stylin stompetter with guitar break -- but
it also has piano and sax. Flip is a teener rockaballad, pretty sappy.)
RONNIE HAWKINS - Mary Lou/ Roulette 4177 NM 20
BIG JACK HORNER - If I Can/Julia Trel (USA) 1001 stVG+ 75
(Bizarre fast western-swing, electrified bopper, with a long passage of extravagant scat-singing
instead of a guitar break. Lively and fun, but I'm reluctant to call it a rocker. HOWEVER, the
rude language embedded in the lyrics is very rock-n-roll indeed, airplay would have been just
about impossible for this one. Oh, those horny rednecks... Flip's a ballad, more straight-country
than otherwise. California label.)
BOB JAXON - No Lie/ RCA (USA) 7232 stVG++ 18
(1958. Stylish & very cool billy-cat vocal with appropriate rock-boppin' backing, nice guitar
break.Flip's a doo-wop styled ballad with surprisingly sharp crossover moves. Decent record
but major-label mainstreaming & polish seem to take a bit of the fun out of it, wish it had a
smidge more of bite or snarl.)
ROLLING JOE JOHNSON - One Long Burning Kiss/
Nu-Clear (USA) 8089 @VG+ 20 ON HOLD
(1959. Uptempo piano-rocker with guitar break, sophisticated N.O. rhythms. Flip's a pedal-
steel weeper. One-a them K80W custom pressings. Small WOL.)
BILL JUSTIS - Raunchy/ Phillips Int'l 3519 @NM 15
BILLY J KILLEN- Walkin' Talkin/ Kam (USA) 101 NM 40
(FLA, 60's. Fast electrified country bopper; has all the elements of rockabilly except the 'tude.
Flip is straight co'ntry.)
BUDDY KNOX - Rock Your Little Baby To Sleep/ Roulette R 4009 VG 3
(Decent mid-tempo popabilly with female backing chorus. Flip's a ballad. Red label 1st-press.)
JACKY LEE - Young And Dangerous/ Teen-Ager TA 101/102 VG++/NM- 50
(1959. Borderline R-a-B by very young-sounding 16 year old from Dallas/Fort Worth. Vaguely Buddy
Holly-ish; A-side is just a little too teen, but flip is more hiccuppy and yodelly and has some
nice blues-riffing guitar.)
JERRY LEE LEWIS - Breathless/ Sun 288 NM 25
JERRY LEE LEWIS - I'll Sail My Ship Alone/ Sun (USA) 337 @NM-- 18
OR stVG++ 14
(Nobody doesn't like Jerra Lee. Of all the people, though, who DIDN'T need a saxophone
behind them...)
CARL MANN - Some Enchanted Evening/ Phillips Int'l 3550 NM 20
OR label VG+/surface NM 12
SAMMY MASTERS - Rocking Red Wing/ Lode 108 VG+ 8
(1960. Native American themed country/rocker novelty. Fip's a ballad, peculiar arrangement.)
GUY MITCHELL - Rockabilly/Hoot Owl Columbia 4-40877 VG1/2 3
ROY MOSS - Wiggle Walkin Baby/ Fascination 1002 VG++ 100
JIMMY NABORS - I'm Working/ Roulette (USA) 4105 VG 4
(1958. Gaw-w-wly! Gene Vincent sound billy/surf track with Elvisizin' vocal over the top. Flip
is an Elvis/Jordanaires rocked-up operatic aria with a guitar break. I think it's the same
aria as "It's Now Or Never".)
ERNIE NICHOLS - Matchbox/It's Just A Matter Of Time Jessup (USA) 215 stVG 5
(Nice, rootsy/authentic sounding reworking of Carl Perkins tune. 16 guitar breaks. Flip's
straight country.)
BOBBY NOLAN - Why Did You Go/
Sooner 163/164 NM- 10 ON HOLD
(Nashville label. Pair of dismal rock-a-ballads (1962-sounding) that come pretty close to falling
into the 'outsider music' box. Almost terrible, but barely manages to hang on to normality.)
BOBBY NOLAN - Lord, I'm Lonesome/
Sooner 633 NM 10 ON HOLD
(Unclassifiable some-kinda-country-rock-or-something. Almost sound like song-poems, but they
ain't. B-side borrows a couple lines of lyric from (see above) "Why Did You Go".)
ROY ORBISON - (Say) You're My Girl/ Monument 45-891 NM- 10
(1965. One (1) upbeat, melodic bopper with latinate rhythms & 'tropical' piano break, and
one (1) dreamy ballad.)
ROY ORBISON - I Can't Stop Loving You EP Monument(AUS) PX-11279 VG++/VG++ 30
(REALLY handsome piece; two light wrinkles at lower corners and a discolored stripe @ 1 mm. wide
keep it from near mint. Still like unto a showpiece...)
ROY ORBISON - House Without Windows EP Monument(AUS) PX-11,296 stVG++/NM- 30
(Light surface abrasions to cover, one corner imperfect. Disc all but flawless. Both the above
were issued in 1968, neither has photo of Orbison.)
- Belinda/ ('76) Monument ZS8 8690 WLP NM 7
CARL PERKINS - Blue Suede Shoes/Honey Don't Sun (USA) 234 VG 10
(Billy classic, um...)
CARL PERKINS - Pink Pedal Pushers/ Columbia 4-41131 VG 8
(1958, very nice two-sided rocker. Lots different from Jerry Lee's version... but both are
GREAT. SOL.)
JOHNNY PERRIN - You Don't Give It Back/ Alley 3261 NM- 20 
(1966? Twangy, echoey R-a-B with some Elvis mannerisms, rock-a-ballad on the flipside.
A-side has been comped.)
BILLY RAINSFORD - Magnolia/Starry Eyes Hermitage (USA) 803 VG 12
(1962. Really nice fifties-funky hillbilly blues with piano and harmonica. Flip's a teenish
ballad with doo-wop vocal arrangement.)
EDDIE REARDON - Who Is Eddie/Just Tryin' Brunswick (USA) 55062 VG 6
(1958. AKA Eddie Fontaine. Crude rockabilly boogie with monster pop hooks,hoarse shoutin' vocals.
Sax break. Flip's an uptempo beat-ballad with ukulele and whistling break. SSOL.)
CHARLIE RICH - School Days/ Phillips Int'l (USA) 3560 label fade, o/w NM 20
(Slightly overblown R&B reading of children's song b/w midtempo '57-Elvis jump-blues with a
long guitar break. Rock on...)
ANDY ROSE - Lov-A-Lov-a Love/ Aamco (USA) 100 VG 5
(1958. Crude & slightly sleazy midtempo 'billy -- a little smooth but still real decent. Flip is
sappy.)
RALPH SANFORD/CONTINENTALS - Tiajuana Jail/ Riviera R-1 VG 8
(Country/rocker with sax, politically-incorrect (and annoying) Mexican stereotypes & a cute
quote from 'Tequila' in the guitar break. Flip's a ballad.)
JACK SCOTT - What In The World's Come Over You/ Top Rank (USA) 2028 @VG+ 7
(1959. Slow rock-a-ballad with backing group. Flip's a bopper. Mighty close to straight
country...)
(BOLIVAR SHAGNASTY) - Yo Yo/Tapping That Thing Fun (no #) VG 25
(Lewd & nasty rockabilly party-record two-sider. One side's a real song, the other is just a
bunch of dirty jokes strung together with a chorus that they repeat over and over. Guitar
breaks on both sides. (TWO breaks on "Tapping".) Guitarist sounds a lot like Carl Perkins,
almost makes me wonder...No artist credited, but this is the same record that also was issued
as being by Bolivar Shagnasty.)
HOKE SIMPSON - Mountain Dew/Number One Colonial CR-530 NM 50
(1957, slightly rocked-up version of country/novelty tune originally recorded by Grandpa Jones.
Flip is a timely & topical calypso number about the amazing feats of the North Carolina Tar-
heels in that year's basketball championships.)
BILL STARR & STUDENTS - Love For A Year/ Applause 8-1235 stVG++ 70
(1960, Nebraska label. Elvis-clone, the cuddly-rocker Elvis of 1958, cerca "Teddy Bear". Echo-
ballad b/w teen-a-billy bopper, both sides with Jordanaires-style male chorus.)
CHARLIE STEWART - Haunted House #2/Santa Claus Won't Come This Year Nabor (USA) 126 @VG 5
(Indiana, 1964. Primitive-sound "billy" two-sider. Kinda lovable.)
BILL TAYLOR & CYCLONES - Nelda Jane/Bullwhip Rock Trophy (USA) T-500 VG 13
(Crude billy pounder. Lotta pianner, but they didn't forget the guitar break. Flip's a demonic
fast boogie-woogie instro. "Nelda Jane, you're drivin' me insane...")
BOBBY TOWERS - Love To Go/ Eiffel BT 002 @VG+ 15
(Decent Elvis-57 styled 'billy/rocker with sax b/w som kinda Orbison/Anka hybrid teen thing.
Looks NM--/plays VG. Cleaning might help... or maybe it's just a REALLY shit pressing.)
JESSE LEE TURNER - Shake Baby Shake/ Carlton (USA) 496 @VG+ 12
(1959. Crude & perfect two-chord rockabilly, very Cramps-ish... B-side is a novelty with sped-up
'martian' voices, doesn't rock as hard. SSOL, RSOL.)
DOUG WARREN/RAYS - If The World Don't End Tomorrow/ Image 1011 stVG++ 22 
(1960, boppin' country-rock two-sider. Elvis-y vocals, honky-tonk piano... two guitar breaks on
B-side.)
THOMAS WAYNE/DELONS - Saturday Date/ Fernwood 109 VG 3
(TOL WOL -- one label clean, one trashed. Produced by SCOTTY MOORE.)
JACK WHITE - I Ain't No Beatle/I Washed My Hands In Muddy Water
Country & Western Hits (USA) 331 stVG+ 35
(Totally charming hillbilly rocker with guitar break; flip's a trad-sounding folkie-ballad with
bluesy electric geetar leads. Comped on a boot called Flabby Road, you can hear it HERE (Nov.
14th show): http://rockandrollradio.org/playlists/2006/november06.html )
DALE WRIGHT -- That's Show Biz/That's My Gal Fraternity (USA) 837 @VG+ 20
(Echoey minor-key billy with multiple guitar breaks. Flip isn't quite as swift.)
NEW SUBCATEGORY --NOT-REALLY-BILLY
Ya know, there are certain records that get classified as rockabilly, and seem to hold as much
interest as 'real' rockabilly among some collectors... but no matter how strong their cred-
entials... inclusion in censuses... compilation appearances... etc... they JUST AIN'T ROCK AND ROLL.
The records below are a few that fit that description. Here for convenience, but shcrupulously
segregated from outta the main section.
ALTON BAIRD/MOONLIGHTERS - Today, From Now On/ Moonlighter 268 @VG++ 20
(Delicious country-rocker, not really wild enough to make you stand up and holler. Flip's a
weeper. Prod. by Tommy Allsup.)
DONNY BAKER/DIMENSIONALS - Drinkin' Pop, Sodee Odee/ Rainbow (USA) 219 VG++ 50
(1951. Nice hillbilly boogie with guitar break. Not rockabilly, dummy; look at the year. But
it's almost Bill Haley. Flip's a Les Paul-stylin' instro. Red vinyl.) 
ROY BIGGS - Til I'm Gone/ Town And Country T/C 1014 VG++ 6
(Tennessee label, no date but 70's/80's. Kinda-neat country/zydeco b/w well-intentioned but
over-produced pop-a-billy that doesn't quite cut it.)
LINDA BRANNON - Just Another Lie/Wherever You Are Royal Audio Music Inc (USA) 1478 VG 10
(1959. Laid-back blues-rock by a Louisiana Hayride countrygal, later reissued on Chess. SOL.)
BOBBY BREEN - Valley Of Romance/It's A Sin Lyric (USA) 105 @VG++ 40
(Sultry, swampy stroll with a southern flavor, sorta Gene Vincent meets Joe South. Flip's a
N'Orleans-y mishmosh with piano triplets, saxophone, and some weird guitar during the intro.)
NEW!! 11/15 BILL BROWN - Tight Levis And Boots/The Heart That You've Been Walking On
Custom Sound (USA) 164 NM 15
(Modern-sounding pushing-into-the-seventies country rocker, recorded in Shreveport LA; "I
can't resist a female wearing tight levis and boots." Flip's straight co'ntry. Later release
on the TX label that later put out garage tracks by Rudy Preston and ... I forget the other
guy, Patrik Fitzgerald or something.)
CECIL BUFFALO AND THE PROPHETS - The Big Red/The Wild Hogs Sho-Boat (USA) 102 @VG+ 8
(Electric piano, guitar leads, chick chorus: football anthems in a rock/teener style with
southern-sounding vocals. Apparently from Arkansas, no date.)
WILLI BUNKER - The Po'lock Rock/ Le Cam LC 001 NM 8
(WLP? Early 70's sounding 50's-revival dance song, like a country-rock 'Bennie And The Jets'.
Immoderate use of racial slurs leave ya scratchin' ya head. Flip's a piano-led instro with
strings.)
SWANEE CALDWELL - Radar Blues P. 1/ King (USA) 5791 stVG 5
(Trucker-oriented talkin' blues over Chuck Berry riffs b/w dee-lightful, billyish country
rocker, truckin' two-sider. I think this version may have come out before Dave Dudley's.
Either way, it rocks. TOL, tape residue, shmutz.)
BOBBY COMSTOCK/COUNTS - Jambalaya/ Atlantic (USA) 2051 VG++ 8
(1960. Spirited, bily-ish, more-or-less rockin' version with sweetening by a horn section and
chorus. Flip is a flabby orchestrated teener with Drifter-style strings.)
NEW!! 11/15 WILD BILL COOKSEY - Nite Beat/Daytona Beach People Capamco (USA) 003 stVG++ 8
(Blue-eyed soul/country rocker, a little too seventies-sounding to be perfectly charming and
billyish. But not bad, on its own terms... sorta like a 1969 version of Harold Dorman aiming
at a Temptations groove. Has D J FONTANA on drums.)
ORVILLE COUCH - Big Daddy Of The Bayou/ VeeJay (USA) 693 VG++ 7
(Almost a rocker,lots of very r&r electric guitar. Flip's a ballad.)
BILLY "CRASH" CRADDOCK - Ain't Nothin' Shakin'/She's My Angel Cartwheel (USA) A-210 VG 2
(Cute, countried-up revivabilly from 1972. Mighty likeable, but not a rocker like the original.
Flip's a weeper.)
JIMMY DAWSON - Big Black Bug Boogie/Man Woman Blues K-Ark (USA) 774 VG+ 6
(Goofy country-boogie;closer to rockabilly than any other category,but it rocks about as hard
as an uptempo Johnny Cash track. Songs about bugs are always worth tracking down, especially
when they're DT-bugs like this one. Flipside uses the Addams Family riff; if this record is
really from 1968, that's not as weird as I thought at first.)
JOHNNY JAY - Reasonable Facsimile Thereof/ Stop (USA) 133 NM 15
(WLP. 1967-68 country-rocker, I guess. Solid two-sider, something very likeable about it. Reminds
me of Mack Allen Smith @ 67-68. Prod. by Pete Drake. AKA John J Huhta.)
BOBBY LILE - Walkin' With My Blues/Positive Thinking Sage (USA) 354 NM 10
(1962. Mainstreamin' echo-ballad reminds me of Cash and Orbison. B-side's a likeable teen- 
rocker.)
JIMMY MOORE - Time And Time Again/Bongo Clyde
Trend (USA) 6770 VG++ 12 ON HOLD
(Run of the mill country ballad b/w hillbilly-rocker novelty full of beatnik lingo. RCA custom
press, Georgia label, no zip code. XXOL, o/w like new.)
MOON MULLICAN - The Way You're Treating Me/Just Plain Lonesome Starday (USA) 556 VG++ 10
(1960-61. Midtempo almost-bopper with heavy echo on the vocals, pretty cool. Flip's a rock-a-
ballad with R&R guitar leads. Small WOL.)
GERALD NELSON - If I Were You/The Big Chance Atco (USA) 6233 NM 15
(WLP. 1965? (6503 was 1967.) Fast country-rock-bopper with Elvisy vocal moves.. Flip's a ballad,
Elvis/Charley Rich-ed out to the max.)
J R REYNOLDS - Walk Me To The Door/The Devil Got My Deanna Mayolla (USA) no # VG++ 30
(Puzzling, basic light guitar-rocker; I'm guessing it's from Texas. I hear traces of Buddy Holly
and Marty Robbins, but I can't tell if it's 1959 or 1966. Has all the "just adequate" moves ex-
actly right, but it's a bit bland.)
BILLY LEE RILEY - Valley of Dolls/Lonely Man Mojo (USA) 3611 NM- 10
(1967. Uptempo, melodic southern rock with a Byrds-y vesion of the "I Feel Fine" riff. Flip's a
spooky Orbison-style ballad.)
RAY SANDERS - Bring Around Rosie/Please Operator Buddy (USA) B-130 VG++ 8
(TX label. Lively country bopper...but it's electrified COUNTRY, fool, and not rock-n-roll. Nice
COUNTRY-STYLE guitar lead... Flip's a slow & mournful c&w ballad. C&W.)
SLOCUM BROTHERS - Sugar Plum/Hey, Sweet Baby Nu Sound (USA) 7319 VG++ 30
(1966, Dallas TX. R-a-B/garage hybrid with harmonica. A bit Bobby Fuller-ish. Unexciting just
like J R Reynolds. Minor local hit, #36 for one week at Dallas station.)
HAL SOUTHERN - You've Got A Man On Your Hands/
Sand 408 NM 12 ON HOLD
(Propulsive country-rocker; guitar riff, bass riff, guitar break... all-o-them MOVE. (Vocal's
kinda jivey...) Flip is straight country, a piano & strings weeper.)
TEMPOS - Love I Threw Away/As The World Keeps Turning Master W (USA) 1002 VG 5
(Johnny Cash-style country/rock b/w a country/teener.)
JACK TUCKER - Don't Ever Go/Lonely Man Ozark (USA) 962 VG- 5
(Rockaballad b/w tonkabilly. Short guitar breaks on B-side. Nice 'billy guitar throughout, but
the songwriting and singing are more c&w styled.)
BUDDY WALKER - It's You/I Want You Sandy (USA) 1036 NM 12
(1962. Alabama label. R&B-flavored country ballad with sax & tonk-piano, sorta Harold Dorman/
Charlie Rich vibe. B-side is a loud & aggressive bopper with sax and girl chorus.
SONNY WILLIAMS - (There's Only You?????)/Broken Heart Coin 1503 VG++ 30
(Chicago label. Country rock just MILLIMETERS away from rockabilly b/w country rocker. Same
label on both sides, so I don't know the name of the A-side. Scarce title, seems to have
escaped the attention of all the people who make lists of things. Manhole cover in spindle
hole.)
Some interesting and informative sites that deal with this here kinda music here:
Discography of rockabilly 45's
Amazingly complete info, everything from matrix numbers to compilation reissues on
hundreds of artists.
TOP
1950's Rockers on 45
50's/early 60's Teen 45.s
Surf/Instrumental, Novelty 45's
Early Rock 45.s -- Non-USA
Garage, Psych, Classic Rock era 45's, USA - A-M
Garage, Psych, Classic Rock era 45's,USA - N-Z
Garage, Psych, Classic Rock era 45's - WORLD
Early Rock LP's
Garage, Psych, Classic Rock LP's, A-M
Garage, Psych, Classic Rock LP's, N-Z
Heavy Metal LP's
Progressive Rock, 45's & LP's
Punk Rock 45's: A-M
Punk Rock 45's: N-Z
New Wave, Indie 45's
No-wave, Industrial,noise 45's
Punk rock LP.s
New-Wave/Indie LP.s
No-Wave, Industrial, Noise LP's
Cassettes - 80's underground, modern Noise, other
Zines
Incredibly Strange Music 45.s & LP.s
Lounge, Misc Instrumentals - 45.s and LP.s
Trad Jazz - 45's and LP's
Modern Jazz 45's and LP's
Free Jazz, Free Improv, Out
Jazz/Pop Vocalists - 45's and LP's
R&B, Blues 45's
Doo-Wop 45's
Soul 45's A-M
Soul 45's, N-Z
R&B/Soul LP's
Club Music - Disco, House, Techno, etc
Hip Hop
Country & Western 45's
Country & Western LP.s
Folk Music - England, United States, Canada
Gospel Music
Africa
Asia, Pacific Islands
Europe
Mexico
Salsa, Merengue, Tropical
Reggae, Calypso, other Caribbean
Brazil
Other Latin American
Soundtrack and Orig. Cast
Comedy, Spoken Word
Classical Music
20th Century Classical, Experimental
Garage,Psych,Classic Rock - CD.s
Heavy Metal CD.s
Progressive Rock CD.s
Punk Rock CD.s
New Wave, Indie CD.s
No-Wave, Noise CD.s
Club Music, Club electronica CD.s
Jazz CD.s
Salsa, Merengue, Tropical on CD
20th Century Classical, Experimental on CD
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