untitled
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The difference between "Teen pop" and "50's rocker" is a question of degree and interpretation --
check the rockers page for possible misfiles, yeah?
There's more in storage, but this will have to do for the time being. Maybe I'll catch up someday.
TERI ALLEN - Poor Little Puppy/ Canadian American (USA) CA-149 stVG++ 12
(WLP, 1963. Co-written by Paul Vance, but it's goopy, not nerdy, funny or skeezy. B-side is
Spaniels' classic done up honkin'-sax big-band style, Mort Garson arrangements.)
JOHN ANDREA - You're Thirteen/Take Her Reprise (USA) 0341 VG++ 12
(Sappy ballad two-sider; plug-side written by Johnny Burnette, NOT a reworking of "You're
Sixteen". Jimmy Bowen produced, gave it the big Spector sound and did it real good.)
FRANKIE AVALON - Sleeping Beauty/ Chancellor 1095 VG++ 12
(Dreamy ballad with whispery vocal and swoony strings. Flip's a bit more jazzy/loungy; walking
bass, brass section, Sinatra/Darin mannerisms...)
BISCAYNES - Close The Door/Goodbye Mastertone (USA) 3044 NM-- OFFERS
(RARE white doo-wop/teen from Minnesota. Acoustic guitar + vocal trio on the ballad side,
rocker side is same plus drums. Ballad sounds like Kingston Trio covering a soggy Bobby
Vee ballad, I didn't personally dig it none. The rocker side, though, is gormless and
charming. Imagine a marginally-competent group like the Bell Notes trying to do "Little
Darlin' " or a fancy Dion/Belmonts arrangement and... um... not coming close to nailing
it. Plus the drums really sound like a trash can. If you speak 'amateurish'... Here's an
amazing link to amazing mp3.s of this not-so-amazing 45: http://www.box.net/shared/hp78guxibz )
BLENDERS - I'm Following You/Since I Kissed My Baby Goodbye RCA (USA) 7009 stVG++ 10
(UH-oh, ASCAP songs from H'wood musicals, always a bad sign. Big band/Four Freshmen-type
quartet, Mitchell Ayres Orchestra. Shouldn't even be on this page...)
PAT BOONE - Sugar Moon/ Dot 15750 VG++/NM- 18
(Lightly-swinging piano-triplet ballad b/w a mushy one with strings and angelic choir.)
PAT BOONE - I'll Remember Tonight/ Dot 15840 @VG++/NM- 12
PAT BOONE - A Closer Walk With Thee EP Dot DEP 1056 VG++/stVG+ 10
(Pat seems to be trying out some bluesy intonations on these four devotional songs, and the
backing tracks are kinda subdued. Some organ, some lead-guitar, not heavily schmaltzed-up
at all.)
PAT BOONE - Four By Pat EP Dot DEP 1057 VG++/VG++ 12
(Four for Mom and Dad here --- a calypso cash-in with crassly sexist lyrics, a religious-
themed country-western number and two broadway showtunes. One of em is kinda blues/r&b
flavored, at least by Pat's standards. Gotta give him SOME credit...)
PAT BOONE - Pat's Great Hits EP. Dot DEP 1083 VG++/VG+ 10
(Several of his teen/pop chart hits, incl. his version of "I Almost Lost My Mind.")
CABLES - Choo-Choo/ RCA (USA) 37-7839 NM- 10
(AKA The Limeliters? 1961. Offbeat teen rocker with some novelty content, fast & spazzy
guitar break. Flip's a schlager. Unpopular 'compact-33' format didn't take off, gives
the record some fetish-appeal.)
CAPRI SISTERS - Is It True?/Hush-A-Bye Newtown (USA) 5008 NM 15
(Promo label. Big-sounding, brassy girl-soul with more than a hint of big-band/Vegas sound.
Flip's a mournful, offbeat ballad. Northern title? Only other copy on line is 27 USD/VG+.)
TOMMY CASASSA - Three Rows Over/ Valli (USA) 103 VG- 3
(Cute big-beat orchestral teen-bopper b/w beat-ballad. Bit of a Sedaka flavor. And hey, he
wrote his own material! XOL, etc.)
NAN CASTLE - A Steady Baby/ RCA (USA) 7042 VG 3
(1957. Uptempo bopper with group; flip is slower, vaguely countryish.)
CHANTELS - Glad To Be Back/Look In My Eyes Carlton (USA) 555 VG++ 15
(Sweet, plushy ballad with rich vocal harmonies, tympani, strings.)
BOBBY CHARLES - Everybody's Laughing/ Jewel (USA) 728 VG++ 15
(1964. Country-singer/soul crossover; hillbillypolitan vocals, horn section, seen described as
'swamp-pop'... Uptempo/ballad, like always... not quite blue-eyed soul, unclassifiable oddball
sound -- just sits outside of genres, smirking and picking boogers. First release on Louisiana
blues/r&b label.)
CHIFFONS - A Love So Fine/Only My Friend Laurie (USA) 3195 VG++ 7
OR @VG+ 4
(Appealing GG stuff from the nice-girl side of the fence. A-side sweet but a little stiff and
swingless, B-side's an uptempo bopper that shows off their doo-wop flavored roots. TOKENS
involvement.)
CHIFFONS - Sweet Talking Guy/Did You Ever Go Steady? Laurie (USA) 3340 VG+ 3
(1966, seems like this was one of their biggest hits...)
CHORDETTES - Teenaged Goodnight/ Cadence 1299 VG+ 6
(Teenaged Cash-in... pretty darn square there, bear.)
LOU CHRISTIE - You Were The One/ Three Brothers THB 403 NM- 10
(1973-75 on this label. Countrypolitan singer-songwriter AOR, how's that? Add "Jimmy Webb".
Flip's utopian flowerpop.)
CINDY AND LINDY - Brigitte's Song/ ABC-Par (USA) 9847 NM- 5
(Orchestral-ballad two-sider, movie-soundtrack song and a glib, smirky "tourist-love in Mexico"
tune that pushed all of my "ick" buttons, seriously gormless and creepy. "She no speak-a
english" kinda sums it up.)
JIMMY CLANTON - Another Day, Another Heartache/ Ace 8006 VG++ 10
(1963. Teen ballad with rhythm section and theatre organ. Oooh, marimbas! Ick, strings!)
BOBBY COMSTOCK & COUNTS - Tennessee Waltz/ Blaze 45-149 VG 3
(This would be an okay little rocker IF THEY HADN'T DUBBED IN A STRING SECTION OVER TOP OF THE
GUITAR BREAK. Flip's a teeny ballad with distinctive vocals.)
OLIVER COOL - I Said Yeah/Give Me The Summertime Roulette (USA) 4330 VG+ 15
(Promo label. Rod McKuen under a pseudonym. Goober-ish fast bopper with horns, strings and
yeah-yeah Brooklyn girls. B-side written by Vance & Pockriss, typically skeezy horndog
lyrics.)
KEN COPELAND - Pledge Of Love/MINTS - Night Air Imperial (USA) 5432 VG+ 7
(1957. Soggy, draggy white-guy ballad, teen/Elvis sound, with backing group. But the flip is
superb -- jivin' jump-blues with tonnes of teenage-hipster flavoring. Second label, originally
on Lin Records.)
KEN COPELAND - I Want To Go Steady/I Would Give My Heart Imperial 5466 VG++ 12
(Middlin' teen-bopper with pumpin' piano, guitar break & Anita Kerr-style background choir.
Flip's a ballad. Apparently same K Copeland who now is a televangelist? WO2L.)
CRYSTALS - Oh Yeah, Maybe Baby/ Philles 100 VG 3
(First release on Phil's label, first Crystals 45. Two solid Spector sides with all the
trimmings. Orange label first pressing.)
CRYSTALS - He's A Rebel/ Philles 106 @VG 3
(One of their classics, what a charming song. Flip's a sweet slow-dance about teenaged triangle
and heartbreak.)
BOBBY DARIN - Lazy River/Oo-Ee Train Atco (USA) 6188 VG+ 4
(Vegas big-band a la Nelson Riddle b/w guitar-rockin' teen blues.)
NEW!! 4/1 DEAN AND MARC - Change Of Heart/Tell Him No Bullseye (USA) 1025 VG++ 15
(1959. Dead-perfect Everly Bro.s imitation, bopper/ballad.)
MARY DEL - Yum Yum Yum, I'll Take You/ Cadence (USA) 1250 VG 5
(Mid-50's, ludicrous borderline-poor-taste taco-queenin' camp item. Flip's a Georgia Gibbs/Fats
Domino stroll, nice R&B ripoff for the year.)
BUDDY DIAL - Baby/ Mark Ltd MR-1007 VG
(Sentimental teen ballads with surprising zydeco/ska undercurrents on the A-side. Both song-
writing credits to (Ray?) Hildebrand.)
DICK AND DEE DEE - Young And In Love/ Warner Brothers 5342 VG 3
DION & TIMBERLANES - The Chosen Few/Out In Colorado Jubilee (USA) 5294 VG- 3
(1957, pre-Belmonts -- standard-issue teen ballad; group-vocals are kinda passive and choir-
like. B-side is midtempo with handclaps, fake-book "western swing".)
DO REY SISTERS - Everlovin Baby/Only You (Can Give Me Happiness) Poplar (USA) 103 @VG++ 15
(Two-sided cutesy uptempo girl bopper with sax break. Very young sounding on the B-side.)
DREAMWEAVERS - It's Almost Tomorrow EP Decca ED 2376 stVG++/@VG++ 20
(1956, mixed-group teen-oriented balladizing. Not any kind of rocking or rolling involved, but
two of the songs are quite purty.)
VINCE EDWARDS - Why Did You Leave Me/Squeelin Parrot (Twist) Russ-Fi (USA) 7001 VG+ 8
(Big-band crooning a la Steve Lawrence b/w sub-Vance/Pockriss novelty rocker. Los Angeles label,
Argyle building. Severe label flaking.)
VINCENT EDWARDS - See That Girl/No Not Much Colpix (USA) CP 771 @NM--/@VG+ 10
(1965. TV star + echo chamber + huge distracting arrangements. Ballad two-sider. Mann & Weil
wrote A-side, Ernie Freeman involvement.)
SUE EVANS - Don't Take Her Sugar, Billy/ 20th Fox 257 VG++ 3
(WLP. Attempted teener, would work pretty well if they had stuck to the guitar combo and
tossed the big-band arrangements. Not horrible... Flip's sultry lounge-pop. Love that
clarinet line...)
FRANKIE FANELLI - Tears, Rain/The Question RCA (USA) 8343 VG 3
(Pretentious teen ballads, trying very hard to be grown-up like Steve Lawrence or somebody.
Strings & harps & xylophones & I don't know what-all; B-side is an English version of one
of those Italoballads. David Gates produced/arranged. Warped, tracks okay for me.)
FRANKIE FANELLI - I'm Not The Marryin' Kind/ RCA 8872 VG++ 6
(1964, WLP. Macho, big-beat/Vegas ballad a la "Young Girl Get Out Of My Mind." Flip is a sub-
Jimmy Webb thing that wants to be meaningful. And sensitive.)
NICK FIELDS - Blue Tatoo/(Gonna Keep On) Loving You Dodge (USA) 803 VG++ 15
(Ferriday, LA label, Jerra-Lee territory. Teen-ballad b/w NOLA-style stroller. A bit blue-eyed
soul sounding, but still pretty teenish.)
FRANKIE FORD - I Can't Face Tomorrow/ Doubloon (USA) 001 @VG++ 10
(1967. Somewhere between Phil Spector/Bill Medley white soul and Paul Anka grown-up in Vegas
doing it his way. Allen Toussaint produced.)
FOUR ESQUIRES - Follow Me/The Land Of You And Me Paris (USA) 526 stVG++ 10
(Dreamy white-guy ballad with an interesting arrangement. B-side's a sorta-bopper, but it's
pret-ty mild.)
FRANKIE AND JOHNNY - Big Clem/Together Tonight Lido (USA) 604 stVG+ 8
(Promo label. Teenage fake-country with banjo, "Big Bad John" knockoff, by Italo duo from
who-knows-where. Flipside's more in the Everlys bag...but with banjo.)
DOUG FRANKLIN - My Lucky Love/Drizzlin' Rain Colonial (USA) CR-7777 @VG+ 10
(1958. Flavorful billy combo with echo and acoustic bass, but teener rockaballad over top.
Pretty tame, overall. Same guy as that "Exsanguination" novelty record... Flip is a draggy
slow ballad. Listed on RCS page.)
GALENS - Love Bells/Baby I Do Love You Challenge (USA) 59212 stVG 3
(Teen ballad/bopper-ballad with boy/girl vocals.)
RAY GARNETT - What's Your Name/When My Little Girl Is Smiling Twin Hits (USA) 2010 stVG+ 5
("Sounds like" label of budget remakes. Soul/pop, sweet teen ballads with strings. Not sure who
did the originals, but these versions make me think of Sam Cooke and Gene Pitney.)
PAUL HAMPTON - Play It Cool/Classy Babe Columbia (USA) 4-41037 @VG+ 10
(1957. Fast, gimmicky teen two-sider with rockabilly undertones -- but way overproduced for
R-a-B. See 'novelties' page for another one by P.H.)
MARTY HILL - The Lonely Man (That's Me)/That's What You Always Do Brunswick (USA) 55244 VG 5
(Promo label. Eddie Albert countrypolitan b/w very decent Elvis-62 teen-rocker.)
NEW!! 11/15 DOUGLAS HINSHAW - Come Back, Joe/Coo E Woo Ar Vee (USA) TEST PRESS VG+ 20
(1961. Rhythm section + female chorus; soupy teen b/w light bopper. Totally cool to see a test
pressing from '61, do you agree?)
PEGGY JONES - Walking In The Rain/Stranger Style (USA) 1926 NM 25
(WLP. 1965, Memphis label. Semi-countrified teen/girl sound; slightly flat and amateurish vocals
add some real-people charm. B-side's a mild bopper. Both sides written by singer. I wanted to
price it a little heavier, like 40.00, but what the hell, I got it cheap.)
KALIN TWINS - When/Three O Clock Thrill Decca (USA) 30642 VG++ 10
(Cute boppin' two-sider. Second label, lines & star.)
NEW!! 11/15 LEGENDS - Go Away With Me/Jungle Lullaby Caldwell (USA) 410 NM-- 20
(WLP. Teener ballad with a decent latin/slow dance beat b/w... oh, lordy... a version of
"Kumbaya". RSOL.)
LEMON DROPS - You're Gonna Be Sorry/Little Lost Angel Crystalette (USA) 745 VG+ 6
(Promo label. Not-bad teener with group vocals; they sound like grownups trying to slum, but
they pull it off fairly well, there's some decent guitar on the A-side.)
LITTLE EVA - Down Home/ Dimension (USA) 1006 @VG+ 5
(1962. Modest but mildly appealing teenage ballad. Flip's a new dance craze bopper & jiver,
them's always fun. I think it's non-LP.)
LITTLE SUZIE - Young Love/The Boy I Left Behind Burbank (USA) 6006 NM 15
(1961. Chipmunk-voiced little-girl teeny two-sider; voice is weird enough to make it a little
surreal, which is kinda nice.)
MARK III - Valerie/Man ABC-Par (USA) 10280 VG 3
(Folkies making mock of teenaged death songs. Pretty funny. Flip's straight Kingston Trio time
with protest/anti-war lyrics.)
BARRY MARTIN - Little Lonely One/ RCA (USA) 7864 stVG+ 8
(Tricky-rhythm beat-ballad with a lot of strings, somewhere between Ricky Nelson and Ricky
Rydell. I mean BOBBY Nelson and Ricky Rydell. Or... um.... You get the idea. Flip is fake
early-soul. Small SOL.)
CARLO (MASTRANTONIO) - Little Orphan Girl/Mairzy Doats Laurie (USA) 3157 VG++ 12
(Fun little bopper in the classic Belmonts style -- handclaps and a lively vocal arrangement.
Flip's pretty goofy, ho could it be otherwise?)
JOHNNY MASTRO - Model Girl/We've Got To Tell Them Coed (USA) 545 NM 12
(Slick orchestrated teen/wop two-sider with Spanish Harlem strings and a bit of a ska rhythm.)
EDDIE MCDUFF - Suddenly/Car Trouble Argo (USA) 5335 @VG+ 10
(Better-than-average teenish rock-ballad; flip's a goofy version of the classic "Wake Up Little
Suzie" teen dilemma with sound-effects and studio tricks.)
TED NEWMAN - Plaything/ Rev (USA) 3505 VG++ 10
(1957. Fast-ish teen bopper with 'nyaah-nyaah' chick chorus.)
CAROLYN O'DONNELL - You Called me Jennie(But My Name Is Joan)/ Atlas (USA) 1210 VG+ 12
(Uptempo teen bopper b/w ballad, lead clarinet on both sides. Only player in the orchestra that 
had any swing/improv ability?)
ROY ORBISON - She/Here Comes The Rain, Baby MGM (USA) 13817 VG 2
(Promo label. 1967.)
DONNIE OWENS - Need You/If I'm Wrong Guyden (USA) 2001 VG- 3
("Dreamy" slow-dance teener.)
JO PARIS & ROYALITES - I Wish Love/Excuses, Alibis Countess (USA) 501 NM- 40
(Crude & primitive girl-sound guitar-pop -- handclaps and acoustic strumming, so it doesn't
rock hard, but performance & songwriting are at the Bell Notes level. Super-naive, quite
lovable.)
BONNIE PAUL - My Football Hero/ Crest 1031 stVG 3
(Grown-up woman singing schlagers about high-school girl issues. RED VINYL.)
PAUL & PAULA - First Quarrel/School Is Thru Philips (USA) 40114 stVG/stVG++ 8
(The epitome of wholesome TEEN; Paul & Paula are essential for a real understanding of
mid-1900's USA.)
PLAYGIRLS - Hey, Sport/Young Love Swings The World RCA (USA) 7546 @NM 15
(Cheesy but cute (but cheesy) nyaah-nyaah Brooklyn-gal kiss-off, along the lines of "Hey, sport,
you're a real drag." Awfully clever. B-side doesn't have quite the same 'tude. Some connection
to the Blossoms.)
PONI TAILS - Your Wild Heart/ Point (USA) P-8 @VG++ 10
(1957. White-bread girl stuff, kinda stodgy... but the instro backing is pure mexicana, from the
opening notes I was flashing on mid-50's bands like Los Alegres that have been comped on
Arhoolie -- both sides reek of Southeastern Texas.)
ELVIS PRESLEY - Are You Lonesome Tonight/I Gotta Know RCA (USA) 47-7810 VG+/VG+ 12
(1960. Bel canto ballad b/w appealing N'Orleans sound lite-rocker.)
ELVIS PRESLEY - Follow That Dream EP RCA (USA) EPA 4368 VG++/VG+ 35
(1962,four movie tracks (Follow That Dream, Angel, What A Wonderful Life, I'm Not The Marrying
Kind). Uptempo semi-rockers, fun to listen to...not that different from the tame & cuddly
high-energy 1958 Elvis of Teddy Bear and All Shook Up.)
ELVIS PRESLEY - One Broken Heart For Sale/ RCA (USA) 8134 stVG/stVG 10
(1963, from"World's Fair". Not-awful "Teddy Bear" style bopper. Flip's a schmaltz-ballad with
very strong vocal. RW, 1/2" tear.)
ELVIS PRESLEY - Take Good Care Of Her/I've Got A Thing About You, Baby
RCA (USA) APB0-0196 @VG++/stVG+ 15
(1974. Elvised-out country ballad with lead piano. B-side's more electric, funk-lite a la Joe
South.)
CAROLE QUINN - What's So Sweet About Sweet Sixteen?/Good Boy Gone Bad
MGM (USA) 13265 @VG++ 40
(Girl-group/teen-pop with elements of Spector & Motown; traces of an appealing "Little Eva"
vibe are buried under fancy but unsympathetic production. Apparently a popular record on
one of the club circuits -- popcorn?)
BOBBY RANDLE - Karen/Walking In The Shadows Shad (USA) 5007 NM 10
(Mamb-o-lypso teen b/w triplets-teen-ballad. Randle was a member of Lou Reed's band The Jades...
but this is very ordinary, average, run of the mill.) 
TERRY REDMAN - Lonely/Come On Back Band (USA) 1001 VG 5
(1959, Kentucky -- teener ballad in the boys-named-Bobby camp. B-side's a bit more fast &
rockin', and it has a real guitar break. Pretty noisy copy, sorry there.)
REPARATA AND THE DELRONS - Whenever A Teenager Cries/He's My Guy World Artists (USA) 1036 NM 12
(Uber-charming teen misery, tune stuffed fulla understated hooks. Ernie Maresca writ it. Flip's
a bit more uptempo, also charming with handclaps.)
RICK & DONNA - I'm A Losin' Guy/Wedding Bells Will Ring A&M (USA) 710 VG+ 10
(1963. Big-sounding Spector/Bono style production, with some blue-eyed soul touches in the
vocal. Flip's in a Paul & Paula bag.)
JIMMIE RODGERS - Secretly/Make Me A Miracle Roulette (USA) R-4070 stVG+/VG++ 10
(1958. Ballad two-sider, big-band teen with lead piano.)
JACK ROGERS - Frankie And Johnnie/Never Want For More Keen (USA) 2021 VG 3
(Slow & kinda soggy, Broadway baritone styled vocalist. Flipside is a trifle little bit crisper,
still pretty bland. Herb Alpert involvement. WO2L.) 
RONALD AND RUBY - Lollipop/Fickle Baby RCA (USA) 7174 VG+ 8
(Cute uptempo two-sider. I never knew who it was that did this song... SOL)
SANDY AND THE SOPHOMORES - I Trust You Tommy/Walk Away Girl
Columbia (CAN) 4-43089 stVG++ OFFERS
(Appealing white-girl group, closer to the Lesley Gore style than any other. B-side has a good
beat and a delightful hook in the chorus, should really be a mod-club dancer... if it isn't
already. Mansfield puts his Ex copy at 75 GBP, but this is a Canadian pressing, so ... OFFERS.)
SHANGRI-LAS - Remember (Walking In The Sand)/It's Easier To Cry Red Bird (USA) 10-008 VG 3
(Loopy & extravagant teen melodrama, their first hit. Did they bring real seagulls into the
studio?)
SHEPHERD SISTERS - Don't Mention My Name/What Makes Little Girls Cry?
Atlantic (USA) 2176 @VG+ 15
(Lovable big-beat girl-group with handclaps b/w smooth ballad action. White-sounding, but it
gets soulboy attention.)
SHORT TWINS - We Are In Love/ Jewel JR 1656 VG 5
(Over-the-top schlock teener with those beauty school dropout 'nyaah nyaah' vocals. Almost
novelty-level stuff. B-side is more restrained; it's actually a fairly attractive ballad.)
GARY SINCLAIR & V I P.S - Rock & Roll Rickshaw/ Obo (USA) 220 VG++ 12
(1963-maybe? Could be earlier, probably pre-Beatles. VERY OBSCURE one, kinda charming teen
bopper. Not genuine teenaged frenzy, but it's got a solid beat and you can dance to it.)
SPINNERS - It Must Be Love/All I Want RCA (USA) 8427 stVG 3
(WLP. Teen-guy duo with Everlys moves like you wouldn't believe; choruses on both sides are
TOTAL soundalikes. Ballad two-sider. )
TEMPTATIONS - Barbara/ Goldisc 3001 VG- 4
(Appealing teen/group white kids sound, reminds me of later Dion & Belmonts. Mid-tempo bopper
b/w ballad.)
MITCHELL TOROK - Pink Chiffon/ Guyden 2034 VG 3
(Goopy teen ballad b/w billyish teen bopper.)
DANNY VALENTINO - Biology/ MGM 12881 NM-- 10
(1960. Awfully cute hiccuppy teen bopp-a-ballad, somewhere between soundtrack-Elvis swivel and
Buddy Holly singing calypso.)
DALE WARD - Oh, Julie/Letter from Sherry Dot (USA) 16520 VG 3
(Southern-accented (with light hiccuping) version of Crescendos' teen standard. Flip's a tragic
teen love crisis in triplets.)
NEW!! 11/15 WINMEN - A Nickel Piece Of Candy/Don't Let Her See You Cry Rik (USA) 12364 NM 15
(WLP. Poppy c&w teener.)
BOBBY WOOD - If I'm A Fool For Loving You/ Joy (USA) 285 stVG+ 5
(Country-flavored teen guy kinda like Johnny Burnette. Cuts loose on the B-side with a novelty/
bopper. PURTY orig. fac. sleeve.)
PRISCILLA WRIGHT - Man In The Raincoat/ Unique (USA) 303 VG 2
(1955, Canada. Bluesy, atmospheric 14-year-old-with-big-band torch song, sorta reminds me of
Petula Clark.)
TOP
1950's Rockers on 45
Rockabilly 45's
Surf/Instrumental, Novelty 45's
Early Rock 45.s -- Non-USA
Garage, Psych, Classic Rock era 45's, USA - A-M
Garage, Psych, Classic Rock era 45's,USA - N-Z
Garage, Psych, Classic Rock era 45's - WORLD
Early Rock LP's
Garage, Psych, Classic Rock LP's, A-M
Garage, Psych, Classic Rock LP's, N-Z
Heavy Metal LP's
Progressive Rock, 45's & LP's
Punk Rock 45's: A-M
Punk Rock 45's: N-Z
New Wave, Indie 45's
No-wave, Industrial,noise 45's
Punk rock LP.s
New-Wave/Indie LP.s
No-Wave, Industrial, Noise LP's
Cassettes - 80's underground, modern Noise, other
Zines
Incredibly Strange Music 45.s & LP.s
Lounge, Misc Instrumentals - 45.s and LP.s
Trad Jazz - 45's and LP's
Modern Jazz 45's and LP's
Free Jazz, Free Improv, Out
Jazz/Pop Vocalists - 45's and LP's
R&B, Blues 45's
Doo-Wop 45's
Soul 45's A-M
Soul 45's, N-Z
R&B/Soul LP's
Club Music - Disco, House, Techno, etc
Hip Hop
Country & Western 45's
Country & Western LP.s
Folk Music - England, United States, Canada
Gospel Music
Africa
Asia, Pacific Islands
Europe
Mexico
Salsa, Merengue, Tropical
Reggae, Calypso, other Caribbean
Brazil
Other Latin American
Soundtrack and Orig. Cast
Comedy, Spoken Word
Classical Music
20th Century Classical, Experimental
Garage,Psych,Classic Rock - CD.s
Heavy Metal CD.s
Progressive Rock CD.s
Punk Rock CD.s
New Wave, Indie CD.s
No-Wave, Noise CD.s
Club Music, Club electronica CD.s
Jazz CD.s
Salsa, Merengue, Tropical on CD
20th Century Classical, Experimental on CD
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