untitled
viviti
untitled
viviti

               INSTRUMENTALS/SURF



DOC BAGBY - Home Run/Cloud Eight                       Kaiser (USA) 383                        VG  4  
   (Super-fast jazz/jump-blues instro with honkin' sax, guitar break, organ break... flipside is 
    mellow and snoozy.)
B-B - Sea Fever/Ivory Marbles                          Cover (USA) 1961                        VG  6
   (AKA B.B. Cunningham, Sun/Philips artist. Low-key guitar instro with strings and choral 
    effects, like a teen-triplets-stroll-ballad without a sanger. Flip's more of a rocker, 
    piano-based boogie-tonky-boogie with a tough guitar break.)
BEACH BOYS - Help Me Rhonda/Kiss Me, Baby              Capitol (USA) 5395                VG+/@VG+ 12 
   (1965. Classic BB.s tune, one of my favorites... B-side's a slow ballad, a bit too draggy and 
    sweet for my tastes.)
BEACH BOYS - Sloop John B/You're So Good To Me         Capitol (USA) 5602                 VG+/VG+ 25 
   (1966, Pet Sounds era; pounding riff on the B-side gives a bit of a frat/garage feel that's 
    unusual for them.)
BELL SOUNDS - Marching Guitars/Chloe                   Chancellor (USA) 1043                  VG+  5
   (Average instro, beautifully mastered (LOUD) with about 15 guitar breaks. Pret-ty damn sharp.
    RSOL.)
BIG BEATS - Clark's Expedition/Big Boy                 Columbia (USA) 4-41072                VG++ 12
   (Heavy-swingin' jazz-and-b sax instro. Nice piano. Guitar break.)
BILLY JOE & THE CHECKMATES - Percolator/Round & Round & Round & Round     Dore  (USA) 620    VG++  6
   (Quirky instro with lead vibraphone, based on a coffee commercial? Flipside's a big-band 
    novelty, closer to dixieland than rocknroll. WOL, 2SOL.) 
ACE CANNON - Sugar Blues/                              Santo S-107                            VG+  4
   (1962 on little Memphis indie label. Straight jazz sides, with bluesy/boogie-woogie feel to
    B-side. Saxophone leads, also nice jazz-guitar soloing on both tracks.)
CARNABY STREET SET - I Was Kaiser Bill's Batman/       Columbia 44092                         NM-  8
   (1967, WLP. I've been wondering for a couple of years what this song was, and I'm still won- 
    dering... Instro version with whistling and a couple of voices making with the 'la la la's. 
    Flipside is a straight instro with lead guitar, in the Duane Eddy/Shadows style.)
CHAMPS - Tequila/                                      Challenge 1016                         @VG  3 
   (Instro classic b/w nice piano rocker that you've never heard before.)
CHECKERS - Blue Saturday/                              Skyla (USA) 1120                       VG+  6
   (1961, WLP. Country-ish tonk-a-billy instro two-sider. Johnny Burnette, Jimmy Bowen involvement.
    Light warp, NAP.)
CJ - Honky Tonk Part 1/Jokers Wild                     House Of Rhythm (USA) 891               NM  3
   (1989, Nashville. Kinda sluggish, but it swings.Who woulda thought they'd still be recording 
    '62-style guitar instros in 1989? Who,I ask ya. Who?)
CRUME BROTHERS -Lost Bandit/                           Peacock (USA) 1916                      VG  4
   (1962, WLP. Instro two-sider with mild Mex/Tejano flavoring. Innovative two-guitar arrangement, 
    interesting in that respect, but otherwise strictly from Duane Eddy-ville.)
DANNY DARK - Jitters/Tijuana Two-Step                  Reprise  (USA) 343                    VG++  5
   (WLP. Bouncy big-beat exploito gogotheque with lead trumpet & sorta-rockin organ break.)
BOBBY DAVIS & RHYTHM ROCKERS - The Monkey Shout/Get Wit It       
Vest (USA) 8003              VG+  6  ON HOLD
   (1964-65-ish, sax-led instro with KING CURTIS. More guitar than usual, esp. on A-side. But... 
    um... where's the monkey business? Ain't none. BBH.)
DIABOLIQUES - Bubbles/                                 Merri (USA) 6005                stVG/@VG++ 11
   (1963, CA label. East LA band? A-side is limp and loungey, sweet mariachi horn-section, not-very- 
    rockin' rhythm section. B-side is the ROCKER on this one, ooh, yeah... has some wild, hawnkin' 
    sax. Cute & adorable picture sleeve, too, with little cartoon debbils rockin' out on they 
    instruments.)
DUANE EDDY - Ramrod/Walker                             Jamie 1109                            VG++ 10
      - Mason-Dixon Lion                                     1111                           stNM- 13
      - Quiet Three/40 Miles...                        Jamie 1126                      stVG++/@NM 30
      - Some Kinda Earthquake/                               1130                      stVG++/NM- 27
      - Bonnie Come Back/Lost Island                   Jamie 1144                      stVG++/NM- 27
DUANE EDDY - Dance With The Guitar Man/                RCA 8087                              VG++  7
   (Hey, a vocal side for once! 'S pretty okay, kind of a beach-movie dancin' surf-bunnies kinda 
    vibe. Flip's a typical slow twang. They tell me them singin' gals is The Blossoms.)
ALLYN FERGUSON ORCH W/SHELLY MANNE - Jim's March/      Ava C157                              NM--  4
  (Discotheque fake-rock on one side, soundtrack pomp on the other.Small water stain on label.)
FIREBALLS - Quite A Party/Gunshot                      Warwick 644                          @VG++  6
          - C'Mon, React!/                             Atco 6614  WLP                         NM-  6
FOUR - Lonely Surfer Boy/Now Is The Time               Clark (USA) 225                       stVG  6
   (Early 1965. Harmony-vocal ballad with surf-guitar, sounds like they're reworking the "Lonely 
    Bull" riff. Flip's uptempo, Merseyish beat.)
FOUR STARS - Blue Dawn/The Frog                        Era 3021  lt.woc                 @VG++/VG+ 20  
   (BLUE VINYL)     
FRANKIE AND THE FLIPS - Pop-Eye Twist/Devil Dog Rock   Savoy (USA) 1602                        VG  4
   (Promo label. Kind of a mess -- organ break/sax break/guitar break... can't hear the drums... I 
    can't imagine anyone getting any kind of dance action out of this one. B-side's more okayer, I
    guess, in a Johnny And The Hurricanes kinda way.) 
BOBBY GREGG - The Jam, Part 1/Part 2                   Cotton (USA) 1003                      VG+ 10
   (HOT motherfucking R&B instro. Guitar breaks, shrieking sax -- whoa, it's a beauty! Looks like 
    Roy Buchanan's on this one...)
HONDELLS - My Buddy Seat/     
Mercury 2366 blk lbl  @VG+   7  ON HOLD
GUITAR "MUVVA" HUBBARD - Raunchy/The Other Side        ABC (USA) 9869                        NM--  7
   (Kinda bland cover of instro-rock standard b/w solid, heavy-riffing sax & guitar stroll-boogie,
    long guitar break.)
JORGEN INGMANN - Apache/Echo Boogie                    Atco  (USA) 6184                     @VG++  4
   (Classic instro -- if you think you've never heard it before, you are wrong, and you'll recognize
    it as soon as you put the needle down. Unless you're, like, young. Flip is cute too - so severe-
    ly echoed out it sounds like Frippertronics. No, that's a joke, son. XXOL.) 
INTRUDERS - Fried Eggs/Jefferie's Rock               Fame (USA) 101                          VG+  15
                                                                             OR               NM  25
   (Rhythm section's a bit flabby, but there's lots of good lead guitar. LOTS. SOL.)
JAN N ARNIE - Jennie Lee/Get A Date                  Arwin MM 108 sol lt.tol                  VG-  3    
JOEY/CONTINENTALS - She Rides With Me/               Claridge 304                            VG++ 12
  (1965. Beach Boys cover b/w Sam The Sham style frat-rock. Some heavy-duty drum action.)   
KINGPINS - Ode To Billie Joe/                        Atco 6516                               @G  FWP
   (Soul-tinged instro version of OTBJ, nice saxophone. Flip's fonkier. This record is banged up 
    and skips in several places -- you can have it for free; all you gotta do is ask.) 
LEGENDS - Lariat/                                    Key 1002                                 @VG  2
   (1961, instro two-sider with some elaborate, skillful guitar work. Record would be NM but for a 
    short crack. Plays without problems.)
LEGENDS - Lariat/                                    Ermine 41                                NM- 15
   (1962-63. Fast guitar-led instros, some pretty snazzy playing. B-side's sorta bluesy in tone. 
    Different flip from Key Rec.s release.)
LUDWIG/KLASSICS - Mumph/                             Imperial 66163                        stVG++ 10
   (1968? Promo label. Piano-based slow-dance instro; nice beat and some fairly sophisticated
    jazzy playing. Joe Saraceno/Buddy Prince project...)
MARK II - And A Robin Cried/                         Wye (USA) S-1004                        VG++ 10
   (Easy-listening instro with shuffling New Orleans-y rhythm section. Massive violin sound on both
    sides, oh BOY!)
TOBIN MATTHEWS & COMPANY - Irish Washerwoman/Steel Guitar Rag      Chief 7024                 VG+  6
  (1961. Rock & stroll instrumentals. First label CHIEF, line drawing of brave w/headdress.)
NEW!! 6/16 MELODY MATES - Autumn Love/Just Plain Guit        Decca (USA) 31000              VG++   5
   (Moody & countryish with lead guitar and harmonica. Flip's a slowish rocker, nice
    pianner-poundin'.)
MARV MEREDITH - Salvation Rock/Swiss Miss            Strand (USA) 25021                    stVG++  5
  (Unusual lite-rock instro with weird instrumentation -- sleighbells, carillon, tympani... Mort 
   Garson involvement.)
MISSILES - Little Mary/The Singing Flute             Lawn (USA) 213                          VG++  7
   (WLP. 1963. Flute-led beat-group instros. A-side is a jazzed-up Mary Had A Little Lamb.)
NEW!! 6/16 O.C. AND THE HOLIDAYS - The Tuttle/Watch That Action       Warner (USA) 1019     stVG   5
   (Sax-led instro, kinda bland. Flip's a bit more rockin'.)
NEW!! 6/16 OMEGAS - Midnight Run/I Wanna Go Home               Groove (USA) G4-4             NM-  25
   (Wipe-out drums, hot-rod noises, lead sax, minimal chord changes. Fairly boss. Flip's a bit
    less exciting.)
OUT CROWD - Get Yorself Together Part 2/part 3       Omen (USA) 11                          VG++  30
   (1966? WLP. Discotheque/fratsoul instro based on "The In Crowd". Popular Mod spin these days? 
    Pricier elsewhere. SO2L.)
PACE-SETTERS - Mustang/Heads Up                      Ava C-161 lt. rw WLP                   NM--  22
EDDIE PLATT - Cha-Hua-Hua/Vodka                      Gone (USA) 5031                        VG++  10
   (Mambo-ey rocker with wordless choral effects, nice baritone sax. Fun two-sider.)
PYRAMIDS - Penetration/...Marsha                     Best 13002                             @VG++ 17
NEW!! 6/16 LITTLE BOBBY REY - Rockin' J Bells/Corrido De Auld Lang Syne 
                                                     Original Sound (USA) OS-08             VG++  12
   (Sax & piano rocker with loud, swingin' trashcan drums. Guitar break. Flip's about the same,
    not quite as dynamic.)
(ROCKIN') REBELS - Wild Weekend/                     Mar-Lee 0094 WLP                         VG+ 30
   (SCARCE-ISH 1st issue/PROMO/lt.warp, NAP.)
MEL "PIG" ROBBINS - Fidgety/Loneliness               Mr. Peacock (USA) MP 103               VG++  15
   (1961. Crisp & punchy production, sorta ordinary instro with a dark-edged, bluesy feel. Flip 
    features lead piano and a string section; piano is kinda tonk-ish in feel. Comes with a LETTER 
    from owner of label to the guy who produced the record.)
RONNIE & RAINBOWS - Loose Ends/                      Linda (USA) 667                       stVG++ 15
   (WLP. Odd slow instro with guitar and baritone sax leads, kinda nifty. Some flashes of good 
    guitar work on B-side as well.) 
ROYALTONES - Dixie Rock/Royal Whirl                  Goldisc (USA) 3017                       VG+  8
   (Twangy. Wacky arrangements. Some sax.)
ROYALTONES - Poor Boy/Wail                           Jubilee (USA) 5338                        VG  3
   (Offbeat instro with some gimmicky instrumentation. Flip's more straightforward, with long
    heads-up guitar & sax breaks.)
ROYALTONES - Little Bo/Seesaw                        Jubilee 5362                             VG+  5
  (1959. Sol. Probably jazzbos slumming; A-side's organized around a big ol' drum solo, flip uses 
   a baritone sax, kinda unusual, & features an early appearance of the 'Hippy Hippy Shake' riff.)
SHOWBOATS - Too Much/Sidewinder                      Goldband (USA) G-132                  stVG++ 12
   (1963. Hot & hyperactive four-chord R&B/boogie-woogie instro with honking sax. Hot guitar break.
    B-side sounds like 'Tequila' played sideways. I have the vague feeling they might be a Chicano 
    band.)
SPACEMEN - The Lonely Jet Pilot/The Clouds           Alton (USA) 254                           VG  3
   (Stripper-vamp with weird-sounding echomonster harmonica, nice billy-style guitar break.)
SUPERTONES - Slippin' And Sloppin'Part 1/Part 2      Everest 9-19325                           VG  5
   (WLP. Proto-surf with remarkably wet-sounding reverb-guitar. Think it was 1961 or '62...) 
TOMKO TRIO - Get With It/                            Artistique rec.s DPC 6135                stG  3
  (Cute instros; a sorta-rocker and a sorta-mambo. Accordeon, honking sax, and lotsa little drum 
   solos. Looks like hell, plays pretty decently.)
TUNE ROCKERS - Green Mosquito/Warm Up                United Artists (USA) UA139              VG++ 15
   (Crude instro with three-note sax lead, reminds me of "I've Had It." Flipside's faster & more 
    competent, kinda exciting. Comped on "Songs We Taught The Cramps". 2SOL.)
NEW!! 11/15 UNTOUCHABLES - Deacon's Walk/Limbo-Nova          Lawn (USA) 211                  VG++ 10
   (1962-ish instros. B-side is too calypso-ey to be much of a rocker, flip's a little better,
    but still kinda soggy. Sax-led, no guitar breaks. BBH.)
VIRTUES - Guitar Boogie Shuffle/                     Hunt 324                                VG++  5
   (1959. 'Billy instro, nice grimy-sounding production.)
VIRTUES - Flippin' In/Shufflin' Along                Hunt (USA) 327                           VG+  5
   (Lively & well-recorded instro two-sider with some good guitar.)



                      NOVELTY
                      ________
                      ________

A.L.T. & THE LOST CIVILIZATION - Tequila/            Atco 7-98533                              NM  4
   (1992, Novelty raps by LA(?) Mexicanos. A-side sets an elaborate drinking story over a version 
    of the Champs classic, and B-side is equally goofy.)
AL ALBERTS - I Am A Sick American/Try A Little Love              Alstel (USA) 315              NM  3
   (70's. I was hoping this would be a parody, but it's straight out of the Paul Harvey kook-book;
    he's a sick american, sick of criminals and protestors and revolutionaries and drug addicts...
    Yawn... Flipside's a standard-issue big-band/pop song; vocal sorta reminds me of Steve Lawrence.)
JIM BACKUS - I Was A Teenage Reindeer/The Office Party         Dico (USA) 101                stVG 15
   (1958? Spoken-comedy dialogue with rock&roll/Vegas-grind instro backing. Beatnik/juvie slang, 
    hotrod content... Flip doesn't have any topical interest.)
GLORIA BECKER - Sixteen Pounds/                      Real (USA)1304                            VG  6
   (1955. Answer record, pretty funny, seems to be about "the problem with no name". Flip's a 
    straight ballad; people who get a kick out of Latin cliches will... hear Latin cliches that 
    might amuse them. Both sides written by LALO GUERRERO.)
LONG JOHN BERKS - Ek Is 'N Ge/                       Continental (SA) PD 9441           VG++/stVG  8 
   (1968. Music-hall b/w South African-style sorta-country. Old-fart music, but A-side gets some 
    youth-novelty points for excessive use of wildly slangy afrikaanglish street-language. Still, 
    it's basically crooner + piano..)
NEW!! 6/16 STEVE BLEDSOE AND THE BLUE-JAYS - Stan The Man/Peabody's Tomb
                                                               Scope (USA) 1961             VG++  12
   (Country-flavored hokum, tribute to Stan Musial. Not sure what the flip is about, but it's
    sorta jazz/beatnik/graveyard something or other... Monster...)
BOB BRAUN & HOMETOWNERS - Brave Men Not Afraid/Melissa         Fraternity (USA) 965           NM-  6
   (Adult-pop with touches of teen and C&W. A-side is pro-war, mostly spoken, regurges up ALL the 
    cold-war cliches about Freedom and Honor and ... you know, stuff like that.)
CHIPMUNKS - Chipmunk Song/Alvin's Harmonica          Liberty 55250                       @VG++/XX 10
  (1st cover, with 'realistic' chipmunks. SLEEVE ONLY.)
TED CONNOR - Commandments For Parents/               
Caprice (USA) 0075                stVG+ 5 ON HOLD
   (1963. "Inspirational" spoken-word over orchestra, telling parents what to do to raise 
    honorable, upright, good god-fearing citizens who ain't pinko commie atheist JD.s. 
    Flipside is a white vocal quartet.) 
DISCO TEX & SEX-O-LETTES -Woolly Bully/              Chelsea CH 3070                           NM  4
   (Criminally stupid. 1976.)
DUDLEY - El Pizza/Lone Prairie Rock                  Arvee (USA) 587                           NM  7
   (1960. Marty Robbins parody b/w "Red River Rock" style instrumental. H B Barnum involvement.)
NEW!! 6/16 TOMMY ECKOLS - Chee Chee The Private Eye/I Guess I've Lost You After All
                                                               East End (USA) 723            @NM  12
   ("Who Killed Cock Robin", with an arrangement that's guaranteed to drive you up the wall.
    Kiddie-teevee feel. Flip's a country/bopper, played straight.)
HARCOURT FREES - The Skin Diver/                     Cascade (USA) 5904                      VG++ 10
   (Doofy novelty; skin-diver and mermaid -- half-baked special effects. Flip is a teenish sax-a- 
    billy rocker. Small RSOL.)
FRANK GALLOP - The Ballad Of Irving/PHIL LEEDS - Would You Believe It?     Kapp (USA) 745    VG++  4
   (LP tracks from Jewish-themed comedy album. A-side's a parody of "Big Bad John".) 
DICKIE GOODMAN - Watergrate/                         Rainy Wednesday 202                  stVG++   4
PAUL HAMPTON - I'm In Love With A Bunny (At The Playboy Club)/Bandera 
                                               Battle (USA) 45919                        VG+/VG++ 13
   (1963. Engagingly silly hillbilly rocker/teen novelty, Homer n Jethro stupid-on-purpose 
    rockin-style. Flip's a murder ballad; if you need to see how Gene Pitney + Marty Robbins
    = "Come A Little Bit Closer", you have to have it. RW to sleeve.)
HERMIE - The Littlest Flower/Hermie's Prayer         USA (USA) 909                          VG++   7
   (Bizarro Xian/civil rights allegories recited by black 6 year old with orchestral music behind. 
    BBH.) 
KEN & FLIP - The Now Confessional/                   Aurum 45-100                          stVG+   4
    (No date, apparently 1972. Stand-up comedy duo, one side recorded live. Reminds me a bit of 
     Burns & Schreiber.)
SCOTT KEY - Town Crier/                              Pyramid (USA) 8002                     NM--   3 
   (1976. Bicentennial-themed break-in. Comedy skit on the flip. Striking orig. fac. sleeve.)
KOOKIE JOE - The Kookie Limbo (vocal)/(instr.)       Nermel (USA) 846                       stVG   3
   (1961, high-tenor faux-calypso on label from El Monte, CA. Cute, I guess.)
NAPOLEON JONES - Women/The Benefits Of Rubber To Mankind      Nappy (USA) 3763              stVG   8
   (1960, FLA label. Cracker-voiced public-speaking, guy was a member of Toastmasters or something.
    Might POSSIBLY be stand-up comedy, but it is 100% joke-free. Major "what the fuck" piece.)
HILLY KRYSTAL - Man Of The Sky/                      Primary (USA) 101                        NM  20
   (1976. Too weird. Too weird. I never knew this existed... Owner of CBGB's tried his hand at 
    50's-style balladizing. Big band arrangements, two songs about ... space travel. Sounds 
    like it could have come off a Guy Mitchell album... or one by Lorne Greene...)
LINDA LAURIE - Ambrose (Part Five)/                  Glory (USA) 290                        @VG++  6 
   (1959. Teen-girl oddity, basically a comedy monologue about trying to engage with an 
    uncommunicative boyfriend under difficult conditions. Bluesy, piano-based background 
    instro. Just keep walkin'.)
LEE & PAUL - The Chick/                              Columbia 4-41337                        NM--  8
   (Probably 1959-60. Sappy lullaby music with preschool falsetto voice interrupted during each 
    chorus by a beatnik/Kookie-clone that wants to rock out. Flip's upbeat teen-pop, kinda 
    Sedaka-esque. Performers are Paul Vance and Lee Bockris, I recognize those names from 
    songwriting credits elsewhere... and I think I have a mid-60's Paul Vance 45 listed under 
    'jazz-pop vocals'.)
LORD DIDD AND THE DIDN'TS - Gunga Didn't/Morse Code      Mr. Peacock (USA) MP 108             NM-  5
   (Unbelievably stoopid: trumpet, sound effects and a fake-brit-accent narrator who might almost
    be Lord Buckley recreating the sounds of a battle-scene from the movie. Flip's a hard-bop 
    instro with a long drum solo. What the hell are you supposed to do with a record like this 
    one?)
VICTOR LUNDBERG - Open Letter To My Teenaged Son/    Liberty 55996                           @VG+  3
  (Father knows best. Sit back and listen. And put down that hash pipe. Clean, but heat-damaged & 
   a bit noisy.) 
MARK III - Valerie/Man                        ABC (USA) 10280                                stVG  5
   (WLP, 1961. Folkies doin' a teen-death ballad parody, with lead banjo used to ludicrous 
    effect. Really... um... strange. B-side is straight folkie-folk protest hootin', anti-war 
    flavor.)
HOWARD MARREN - The Phantom Strikes Again/           Fargo (USA) 1006                         VG+  8
   (1959, obnoxious/appealing pre-teen novelty sides, "Leave It To Beaver" set to music. Both
    sides comped, on The Kiddie Sound V1/V2, like it was doo-wop or something.)
MAXIMUS & HIS PROJECTORS - (A Thing Called) Limericks, Part One/   MBM 1945                  stVG  4
   (Louisiana, pre-zip code. Party record, smutty jokes...)
BOB MCFADDEN & DOR - The Mummy/The Beat Generation    Brunswick (USA) 9-55140                NM-  25
   (1959, Rod McKuen novelties; A-side is especially ludicrous.)  
JOHNNY MOORE & FABULOUS TEMPOS - Tessie The Cow/Nut Sundae #2       Salem (USA) 524          VG++  8
   (Cow swallows bomb, cow go boom. Spike Jones-ish Demento fodder. Flip's a soggy instro with lead
    trumpet. Virginia label, no zip code. WOL.)
NERVOUS NORVUS - Ape Call/                           Dot (USA) 15485                          @VG  4 
   (Classic 1956 doofusness... I guess. Kinda left me cold, but a lot of people love him.)
PANIKS - I Can Beat Him Up/Playin' Games             20th Century Fox (USA) 639            stVG++ 15
   (Stoopid Superman/Batman novelty with sweet SoCal surfer-folk-psych harmonies. Flip's a throw-
    away, mostly-instro knock-off of La Bamba.)
PUSH BUTTON PETE - Push Button Click/                Lighthouse (UK) 001                       VG  2  
   (1984. Weird bubble-glam throwback, seems to be intended as kiddie-pop, like from a tv show or 
    something. Kinda cute, I guess...)
RAN-DELLS - Martian Hop/Forgive Me Darling (I Have Lied)     Chairman (USA) 4003      stVG++/VG++ 40 
   (1963. White vocal group -- A side gets the Chipmunk treatment & cosmic-sound space effects. 
    It's adorable. B-side's a standard issue teen weeper, reminds me of Gene P. Picture sleeve 
    for this one is getting kinda tough.)
AUGIE RIOS - Donde Esta Santa Claus/Ol' Fatso           Metro(USA) 20010                   stVG++ 20
   (TX, Popcorn-sound novelty with accented little-kid vocals. Augie went on to the Sir Douglas 
    Quintet... Company sleeve.)
SENATOR BOBBY/SENATOR EVERETT MCKINLEY - Wild Thing/    Parkway P127                           NM  6
   (Two impressionists imitate two politicians recording two versions of "Wild Thing". I think you 
    know the concept by now.)
SLIM JIM - The Kong Family/                           Laurie LR 3572                           NM  6
   (Ernie Maresca involvement, 1970. 'Rocking in jungle' silliness.Has sitar. Promo label.)
HAL SOUTHERN - Fairground USA/                        Sage 396                           @VG++/NM 12 
  (Annoying novelty about going to the fair, reminds me of the 'let's go out to the lobby' song. 
   Unusual to see a picture sleeve from this label, but it's not a very attractive one.) 
V/A - Free Speech Carols                              FSM (USA) 1                             VG+ 12
   (1964, Berkeley. Similar to the Rag Baby EP.s, topical songs relating to Mario Cuomo, the Free 
    Speech Movement, pre SDS, and their conflicts with Uni authorities. Rewrites of traditional 
    Christmas Carols, with scathing satirical lyrics. Comes with original rubber-stamped sleeve 
    but does not have lyric insert. I know a place where you might be able to get a xerox... 
    Straight-up folk, not electrified; listed on this page for its proto-hippie historical int-
    erest. Tear on label.)
OSCAR RAY WARREN - Burton Ridge Rock Festival/Dear Mr. President
                                                        Pro Sound (USA) 7203                 VG++  6
   (Stand-up with banjo pickin, Hee-haw style redneck comedy, about the stupidest naivest hicktown 
    ever.)
BASIL WOLVERTON - Wolvertunes                         
SFTRI/3D Zone 150                     NM/NM  5  ON HOLD
  (Famously-odd cartoonist also hosted a radio show in the late 40's; here are two snippets of his 
   broadcasts. Pre-Tiny Tim audio verite stuff with a voiceless geezer strumming a ukelele and sing- 
   ing hokey tunes from the twenties.)
SHEB WOOLLEY - Monkey Jive/                           MGM K 12704                            @VG+  5
  (Cute 2-sider looks pretty scrubby, plays fine.)



 TOP
 1950's Rockers on 45
 Rockabilly 45's
 50's/early 60's Teen 45.s
 Early Rock 45.s -- Non-USA
 Garage, Psych, Classic Rock era 45's, USA - A-M
 Garage, Psych, Classic Rock era 45's,USA - N-Z
 Garage, Psych, Classic Rock era 45's - WORLD
 Early Rock LP's 
 Garage, Psych, Classic Rock LP's, A-M
 Garage, Psych, Classic Rock LP's, N-Z
 Heavy Metal LP's
 Progressive Rock, 45's & LP's 
 Punk Rock 45's: A-M
 Punk Rock 45's: N-Z
 New Wave, Indie 45's
 No-wave, Industrial,noise 45's
 Punk rock LP.s
 New-Wave/Indie LP.s 
 No-Wave, Industrial, Noise LP's
 Cassettes - 80's underground, modern Noise, other
 Zines
 Incredibly Strange Music 45.s & LP.s 
 Lounge, Misc Instrumentals - 45.s and LP.s  
 Trad Jazz - 45's and LP's
 Modern Jazz 45's and LP's
 Free Jazz, Free Improv, Out 
 Jazz/Pop Vocalists - 45's and LP's
 R&B, Blues 45's
 Doo-Wop 45's
 Soul 45's A-M
 Soul 45's, N-Z
 R&B/Soul LP's
 Club Music - Disco, House, Techno, etc
 Hip Hop
 Country & Western 45's 
 Country & Western LP.s
 Folk Music - England, United States, Canada
 Gospel Music
 Africa
 Asia, Pacific Islands
 Europe
 Mexico
 Salsa, Merengue, Tropical
 Reggae, Calypso, other Caribbean
 Brazil
 Other Latin American
 Soundtrack and Orig. Cast
 Comedy, Spoken Word
 Classical Music
 20th Century Classical, Experimental
 Garage,Psych,Classic Rock - CD.s
 Heavy Metal CD.s
 Progressive Rock CD.s
 Punk Rock CD.s
 New Wave, Indie CD.s
 No-Wave, Noise CD.s
 Club Music, Club electronica CD.s
 Jazz CD.s
 Salsa, Merengue, Tropical on CD
 20th Century Classical, Experimental on CD

Web Hosting · Blog · Guestbooks · Message Forums · Mailing Lists
Easiest Website Builder ever! · Build your own toolbar · Free Talking Character · Email Marketing
powered by a free webtools company bravenet.com